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Each year World Aids Day helps raise awareness around the world. It also a time for everyone involved in the fight against HIV to step back and assess our progress. Looking at the HIV community as a whole and Cavidi in particular, I can say it been a good year overall.

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Though not an O Brother participant, Dolly Parton’s recent recordings clearly benefit from an association with an “acoustic” aesthetic, and differ greatly from most of her prior recording career which followed the trends of pop music production, though characteristically a few years out of step. Her “acoustic bluegrass” trilogy (The Grass is Blue, 1999; Little Sparrow, 2001; Halos and Horns, 2002) is as far from acoustic as it is from bluegrass, and stands as a vivid demonstration of the paradox surrounding much of the neo new traditionalist sonic aesthetic. Though a good deal of the instrumental interplay is performed and recorded in real time, many of Parton’s vocal contributions, as well as a number of other elements were clearly overdubbed.

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3. It is crowded with tourists but absolutely clean and there are facilities to rest and put your feet up. No swimming rings allowed so getting into the waters with little ones a no no. Even though advertisers eventually triumphed in their pursuit of a funding mechanism for radio programming, early advertisers were extremely reluctant to embark on hard sell campaigns, preferring to treat the new medium gingerly; advertising agencies were wary of crass sales in the home. Between 1922 and 1925, Printer’s Ink railed against radio as an “objectionable advertising medium” (perhaps in part because the editors focused on publishing). The journal emphasized the dangers of creating public ill will: “The family circle is not a public place, and advertising has no business intruding there unless it is invited” (quoted in McLaren and Prelinger).